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An amalgamation of his surname, masked Marvel Comics villain Doctor Doom and the aforementioned rejection of industry norms smelted into a vessel for fantastical storytelling.
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On returning from his self-imposed sabbatical in the late nineties, Dumile had constructed the character of MF DOOM, his most enduring guise, and the name for which he became synonymous. KMD’s Black Bastards (recorded 1993, released 2001) This combination of tragic familial loss and backhanded industry interference forced Dumile to retreat from the industry for several years. This is not to downplay the groups more radical edge, which is clear on their final album Black Bastards, which was left shelved for years, allegedly due to label concerns over its overtly racial topics and controversial album cover. The pair had performed together in the group KMD, an early nineties New York hip hop crew not dissimilar to peers such as De La Soul sample-heavy boom bap with lyrics somewhere between thoughtfulness and playfulness. Interestingly, these choices reflect not only a style of curated anti-publicity – a more common gimmick today – a forthright attempt at total image control and cross-project world-building, but also an innate shyness largely seen to have stemmed from the passing of his brother Subroc in 1993.
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The countless pseudonyms, the many live appearance no-shows, and the fact he chose to obscure his face with a metal gladiator mask for the best part of 25 years, certainly paint a particular image. The perception of DOOM, real name Daniel Dumile, as a mysterious and evasive figure hasn’t come from thin air, and the man himself tended to that fire with jubilant glee. And with the outpouring of love and condolences from across the wider music world comes the curiosity of those who are yet to immerse themselves in the strange world of DOOM: who is this man in the mask and where possibly to begin? Here we hope to offer a brief introduction to some of his finest work to those of you asking those very questions. The death of an artist draws a line in the sand, and we for the first time reflect on the collected works as a finite ecosystem, and what they have come to represent both personally and in the broader musical landscape. As a fan, this is of course a part of a continuous process, shaped and coloured by album cycles, initial points of exposure, developments in taste and personal factors. Note: When you embed the widget in your site, it will match your site's styles (CSS).As the tragic passing of underground hip hop icon MF DOOM draws an endpoint on a prolific and creatively unparalleled career, the urge to make sense of his somewhat labyrinthine back catalogue grows stronger than ever. Mint Test5.Stange Ways (Koushik remix)Madvillain Lyrics provided by
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Get the embed code Madvillain - Ugly Mac Beer Invasion: The Unofficial MF Doom Mixtape Album Lyrics1.All Caps2.America's Most Blunted3.Meat Grinder4.Operation Lifesaver A.K.A. Madman never go *pop*!, like snot bubbles The pot doubles, now they really got troubles In this pesky inition he gots the best con flowin' I bet she tried to say she gave me her all, she played ballĪll bets off! The Villain got the dice riggedĪnd they say he accosted the man with the sliced wigĪllegedly, the investigation is still ongoing Just remember All Caps when you spell the man nameĪnd you know it like a poet, like baby doll It's ugly, like look at you! It's a damn shame Took a few minutes to convince the average bug-a-boo Shots of the scotch from out of square shot glassesĪnd he won't stop 'till he got the massesĪn' show 'em what they know now through flows of hot molassesĭo it like a robot to headspin to boogaloo Spot hot tracks like spot a pair of fat asses Sometimes he rhyme quick, sometimes he rhyme slow
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Plus nobody couldn't do nothin' once he let the brick goĪnd you know I know that's a bunch of snow Should've let your trick 'ho chick hold your sick glow So nasty that it's probably somewhat of a travesty